Holly Walsh Hints at Possible Amandaland Season Three

Amandaland writer Holly Walsh has teased a third series could be in the works after the second season launched last week and received rave reviews from critics. 

The show follows the demise of Motherland's snooty Queen Bee, who has moved from a lavish life in well-to-do Chiswick to becoming a single mother in the less-than-desirable South Harlesden - which she christens 'SoHa'. 

Lucy played the character in all three seasons of the original show before bringing the character back to life in January last year, followed by a special. 

Speaking at the British Academy Television Awards at London's Royal Festival Hall on Sunday, Holly hinted at a third season promising 'many ideas'. 

She told Daily Mail of Amandaland winning the Scripted Comedy : 'We are over the moon. made us all funnier and it was just incredible to watch her perform, we learned so many things from her. It's just a load of middle age women being stupid, what more could you want. 

'If we could have any guest stars it would be , she is very much America's Amanda. Melania Narnia.'

Melania has a son Barron, 20, who is the fifth and youngest child of Donald Trump.  

While Amandaland won the Scripted Comedy category, Lucy Punch narrowly missed out on the Best Actress in a Comedy Award, which went to Katherine Parkinson for Here We Go. 

Of the overwhelming response to the show, Lucy said: 'It's lovely to meet people who think I'm Amanda. I slip into character very easily. Probably as much as Amanda enjoys people asking her for selfies, so do I. I am always flattered. It's just thrilling. 

'We had no idea when we were doing the series how it was going to turn out, how people were going to respond, people were genuinely terrified, this was so unexpected and magical.

'People often stop me in the street and want me to do a video for their friends asking for a "co-lab".'

Lucy's performance for series two was lavished with praise while her mother Felicity, played by Joanna Lumley, and Philippa Dunne, who stars as downtrodden Anne, were deemed 'magnetic' and 'sterling' as her supporting characters. 

Series two sees attention-hungry Amanda has found her calling as an online influencer. It doesn't matter that, since she doesn't have any followers, she's not actually influencing anyone. She has a lifestyle brand and 'it's all she needs'.

Reviewers have likened the character to comedy icons The Office's David Brent and Steve Coogan's legendary Alan Partridge in their cringeworthy lack of self-awareness, arrogance and poorly-hidden deep insecurities. 

On the subject, The Guardian's Rachel Aroesti wrote: 'Amanda slots neatly into a lineage of British comedy icons; file her next to the delusional, narcissistic, indefatigable likes of Alan Partridge and David Brent.'

The Independent's Katie Rosseinsky joined in the praise, with four stars: 'It’s relatively straightforward comic fodder, but the jokes are sharp and sometimes unexpectedly dark enough to puncture the cosiness (“Have you been DBS checked?” Amanda’s colleague at her “co-lab” asks her, before she promptly spits back: “Women can’t be paedophiles, Daniel!”). 

'And Punch, with her huge smile and doe eyes, manages to make even Amanda’s absurdities and insecurities endearing.'

Huw Fullerton for Radio Times wrote: 'That aside, this second series is a comedy triumph; a winning confluence of characters, plotting and gag-writing that makes a sitcom worth returning to...

'Whether you see yourself in Amanda, her friends, her mum or her kids – or none of them at all – it’s the kind of slick, relatable "content" that Amanda’s feed could only dream of hosting.'

The Financial Times' Rebecca Nicholson said the show 'continued to delight': 'Amandaland is best watched with a forgiving eye...

'Think about it too hard, and you’ll notice that the vast majority of its jokes centre on millennials and boomers misunderstanding the internet, flubbing modern acronyms and being perplexed by what the younger generation is talking about...

'Still, with its strong cast (Joanna Lumley remains on fine form as Amanda’s acidic mother) and its deceptively sweet mood, it already feels like a long-familiar comedy that is extremely comfortable in its own skin.'

One of the only negative reviews of the show came with a three star rating from Asyia Iftikhar at Metro, who mused: 'The season fell foul to more forced gags and clunky joke-making than I would have liked...

'[This made for] for an awkward feel for a few of the scenes, especially early on. The season does seem to hit a stride as it goes along.'