Bridgerton’s Simone Ashley ensured all eyes were on her she hit the red carpet for the smash hit Netflix show’s season three part II premiere in London on Wednesday.
The actress, 29, who plays Kathani ‘Kate’ Sharma in the period drama, stunned in nude bralette which boasted quirky pointed cups and.
Simone overlayed this with a gorgeous sheer lace gown that featured ruffles and was worn open to showcase her toned abs.
She then added extra sparkle to the ensemble with diamonds courtesy of Suaznna Kalan in the form of princess diamond drop earrings and an eternity ring.
The actress flashed a huge smile as she strutted her stuff in a pair of strappy heels to join her co-stars ahead of the screening.
Bridgerton’s Simone Ashley, 29, ensured all eyes were on her she hit the red carpet for the smash hit Netflix show’s Three Part II premiere in London on Wednesday
The actress, who plays Kathani ‘Kate’ Sharma in the period drama, stunned in nude bralette which boasted quirky pointed cups
The second half of Bridgerton’s hotly anticipated third season is set for release on Thursday, with fans eager to see what happens next in Penelope Featherington (Nicola Coughlan) and Colin Bridgerton’s (Luke Newton) love story.
Viewers can expect things to get even more steamy between the pair, with Nicola and Luke previously revealing that they filmed so many romps that by the end they were comfortable lounging around together naked between takes.
In the first four episodes of series three, there was six minutes of kissing, sex, threesomes and lesbian love-making.
It was a jump from the lack of steamy scenes in the second series, which included just a meagre three minutes of bedroom action amid eight hours and 29 minutes of screen time.
Nicola previously revealed: ‘I think we’ve won the sauciness for this series!’ as she detailed the sex scenes.
She teased what fans can expect to see, telling Entertainment Weekly: ‘We did break a piece of furniture while doing one scene. It’s a little bit like a stunt in which they’re like, ‘Okay, we’re gonna do this, this, and this.
‘But then they gave us freedom and we had a lot of say in how we did those scenes and what we wanted to do. That makes you feel quite empowered. So, we felt super. They were actually really enjoyable. I didn’t think they would be. It was fun.’
The pair recently revealed that the famous carriage scene that ended the first half of series three, took two days to film.
Simone overlayed this with a gorgeous sheer lace gown that featured ruffles and was worn open to showcase her toned abs
She then added extra sparkle to the ensemble with diamonds courtesy of Suaznna Kalan in the form of princess diamond drop earrings and an eternity ring
The actress flashed a huge smile as she strutted her stuff in a pair of strappy heels to join her co-stars ahead of the screening
Simone posed for selfies with the crowd
The second half of Bridgerton ‘s hotly anticipated third season is set for release on Thursday
Appearing on the One Show on Wednesday, the duo spilled the beans on their now-infamous intimate scene to Jermaine Jenas and Lauren Laverne.
Jermaine asked: ‘I hear the filming of the scene took a bit longer than they expected, apparently?’
Luke answered: ‘Yeah, absolutely. For a five-minute scene, I think it took us two days’ and an amused Nicola cut in: ‘That’s not what he means.’
Taking over, Nicola explained: ‘Basically, we were filming it and we were really enclosed in this carriage on a sound studio and there was four burly dudes…
Fans are eager to see what happens next in Penelope Featherington (Nicola Coughlan) and Colin Bridgerton’s (Luke Newton) love story.
‘So, we were filming the scene, and it was intimate, and we knew that there were certain points we had to hit, but then, we were doing the kissing, and [the director’s] not calling “Cut.”
‘In my head I was going: “This is really long, this feels really long.” We kept going, but eventually I was like: “This is crazy”, so I stopped and said: “Oh, we’re at Bridgerton house!”
‘So, then it ended, and the set was dead silent, and I think: “What is going on?” And then the director comes over to the window of the carriage, and he was like: “What were you doing?’
‘And we were like “What?” And he was like: “I was shouting: ‘Cut! Stop!’” We genuinely couldn’t hear anything. It was like soundproof.’
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