Sophie Ellis-Bextor, 46, Wows in Mint Green Gown at Silver Clef Awards

Sophie Ellis-Bextor, 46, Wows in Mint Green Gown at Silver Clef Awards

Sophie Ellis-Bextor turned heads as she led the arrivals at the Nordoff & Robbins’ O2 Silver Clef Awards 2025 at JW Marriott Grosvenor House in London on Wednesday.

The singer, 46, looked stunning in a mint green pleated maxi dress, complete with dramatic feathered cuff sleeves. 

She added a touch of height with silver block heels and carried a chic pearl handbag, personalised with her name in sparkling rhinestones.

Sophie beamed as she posed for photographers before heading into the star-studded event.

Also in attendance were Myleene Klass, Lisa Stansfield, Natalie Imbruglia, Edith Bowman, and Mika.

Myleene, 47, looked effortlessly elegant in a crisp white suit, while Lisa, 58, wowed in a plunging black ensemble.

Sophie Ellis-Bextor, 46, Wows in Mint Green Gown at Silver Clef Awards

Sophie Ellis-Bextor turned heads as she led the arrivals at the Nordoff & Robbins’ O2 Silver Clef Awards 2025 at JW Marriott Grosvenor House in London on Wednesday

The singer, 46, looked stunning in a pastel green pleated maxi dress, complete with dramatic feathered cuff sleeves

The singer, 46, looked stunning in a pastel green pleated maxi dress, complete with dramatic feathered cuff sleeves

Natalie, 50, opted for a sharp tuxedo look, and Mika, 41, stood out in a bold pinstripe suit.

The Silver Clef Awards is an annual music awards ceremony and fundraiser for Nordoff and Robbins.

The event celebrates outstanding musical achievements while raising vital funds for the charity’s music therapy work.

During the evening, Sophie proudly collected the Best Female Award, posing with her trophy on the red carpet.

The award winners were announced last month, ahead of the star-studded event.

Speaking previously of her win, Sophie told Music Week:’Receiving the Best Female award means a great deal to me. Genuinely, such an honour. 

‘Music has always been a huge tonic for me. It helps me recalibrate and feel good, as well as being a way to connect with people. 

‘To be recognised in this way, especially by an organisation like Nordoff And Robbins that harnesses music to spread joy and uplift, is truly special.’ 

Also in attendance were Myleene Klass (pictured), Lisa Stansfield, Natalie Imbruglia, Edith Bowman, and Mika

Also in attendance were Myleene Klass (pictured), Lisa Stansfield, Natalie Imbruglia, Edith Bowman, and Mika

Lisa, 58, wowed in a plunging black ensemble

Lisa, 58, wowed in a plunging black ensemble

Natalie, 50, opted for a sharp tuxedo look

Natalie, 50, opted for a sharp tuxedo look

Mika, 41, stood out in a bold pinstripe suit

Mika, 41, stood out in a bold pinstripe suit

During the evening, Sophie proudly collected the Best Female Award, posing with her trophy on the red carpet

During the evening, Sophie proudly collected the Best Female Award, posing with her trophy on the red carpet

Mika received the Global Impact Award, recognising his international success as a chart-topping artist.

The Last Dinner Party were presented with the Best New Music Award, while Aurora was honoured with the Contemporary Music Award.

The event comes just weeks after Sophie addressed the ‘gloomy chapter’ of perimenopause and the narrative that women should become ‘quiet and invisible’ with her new album Perimenopop.

The singer was just 21 when she first soared to fame with her first number one hit, Groovejet (If This Ain’t Love) with Spiller in 2000, going on to become a household name.

25 years later, the chart-topper is set to release her latest offering which she, in a new interview with Good Housekeeping UK, claims dispels the notion that pop music is for ‘young people’ and instead mocks that apparent ‘gloomy chapter’ women face in their later years.

Perimonpop is being touted as a ‘a playful celebration of where Sophie is at in her life, knowing exactly who she is and embracing the joy and empowerment that brings’.

The event comes just weeks after Sophie addressed the 'gloomy chapter' of perimenopause and the narrative that women should become 'quiet and invisible' with her new album Perimenopop

The event comes just weeks after Sophie addressed the ‘gloomy chapter’ of perimenopause and the narrative that women should become ‘quiet and invisible’ with her new album Perimenopop

And speaking to the publication about her album inspiration, Sophie echoed those sentiments as she shared: ‘There’s still this idea that only young people make pop music. As soon as I had the new album title, I felt like, “Now I can literally be myself.”

‘This album is about poking fun at this gloomy chapter and the narrative around it that women should be quietening down and becoming invisible… I don’t feel like that at all.’

The full interview can be read now in the August issue of Good Housekeeping UK

The full interview can be read now in the August issue of Good Housekeeping UK

Sophie has had somewhat of a career resurgence of late, with her 2001 track Murder On The Dancefloor gaining new popularity after it was used by filmmaker Emerald Fennell for the one-shot finale of her award-winning 2023 movie Saltburn.

A single camera tracks actor Barry Keoghan as he dances to the track in the nude while walking the corridors of his newly inherited stately home – a memorable scene that introduced Sophie to a younger fanbase and helped push it back into the charts with a number two placement, her first top ten hit since 2007.

She said of the track going viral: ‘I was at home over Christmas when things started escalating online. The whole thing was glorious. And it wasn’t just great for me, but for my whole team. We’d had a busy 2023, so we were match-fit. We could just pick up the pace.’

It was a far cry from her thoughts three years earlier when she started her famous kitchen discos during the COVID-19 lockdown, with Sophie admitting that she believed it was the ‘end of my career’ following her first live broadcast.

The kitchen discos proved to be hugely popular and gave fans a glimpse of Sophie’s family life as it featured her guitarist husband Richard Jones and their five sons; Sonny, 21, Kit, 16, Ray, 13, Jesse, nine, and Mickey, six.

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