Lady Gaga looked incredible as she stepped out for a date night with her fiancé Michael Polansky in London after concluding her run of O2 Arena tour dates.
The pop sensation, 39, and the American entrepreneur, 42, spared no expense for ther romantic evening as they hired out a Mayfair cocktail bar.
According to insiders, 42 cocktail bar was closed to the public for the evening so that the singer and her partner could have ‘total privacy’ for their date.
Gaga also went the extra mile with her outfit, wearing a feathered Gucci dress with a sheer skirt, which was covered in the brand’s signature logo.
She accessorised the look with a pair of platform black heels, a dazzling diamond watch and a pair of cat-eye sunglasses.
Michael was wrapped up in a navy coat as they left the bar at 1am and were met by blustering winds as the UK was hit by Storm Amy.
Lady Gaga looked incredible as she stepped out for a date night with her fiancé Michael Polansky in London after concluding her run of O2 Arena tour dates
Michael was wrapped up in a navy coat as they left the bar at 1am and were met by blustering winds as the UK was hit by Storm Amy
According to insiders, 42 cocktail bar was closed to the public for the evening so that the singer and her partner could have ‘total privacy’ for their date
Gaga’s last London show was on Saturday night and she celebrated the end of the run of performances by stepping out for the dinner date with Michael.
She will next perform in Manchester on October 7, before heading Sweden to continue the European leg of her concerts.
Following the London shows, the Mayhem Ball was branded the ‘concert of the year’ by critics.
Gaga brought back the arthouse theatrics for the mammoth set, packing in a whopping 29 of her biggest hits to a sold-out crowd.
She pulled out all the stops for the first London date, with extravagant costumes, striking staging and her powerhouse vocals – also delighting fans as she brought out Wednesday actresses Emma Myers and Evie Templeton to perform The Dead Dance.
The show has received rave reviews from critics, with Metro‘s Danni Scott even branding her ‘this generation’s Madonna’.
The Telegraph‘s Neil McCormick went as far to say Gaga’s expert showmanship makes her musical counterparts look like ‘wannabees’.
The tour continues with three more London shows this week before moving on to multiple nights in Manchester, Stockholm, Milan, Barcelona, Berlin, Amsterdam, Antwerp, and Lyon, and will close the European leg with four performances at Accor Arena in Paris. Gaga will finish the year with shows in Australia before heading to Japan in January.
Gaga also went the extra mile with her outfit, wearing a feathered Gucci dress with a sheer skirt, which was covered in the brand’s signature logo
The pop sensation, 39, and the American entrepreneur, 42, spared no expense for ther romantic evening as they hired out a Mayfair cocktail bar
Michael carried a bag with him as he left the venue in the early hours
Adam White of The Independent wrote: ‘You haven’t quite lived until you’ve seen Shallow from A Star Is Born being sung by Gaga to her evil twin while the pair are hauled across the stage on a tiny tugboat lit by a ye olde lamp.
‘Yet The Mayhem Ball is also so impeccably put together – with bombast, speed, costume changes, explosions and such lovely sincerity from its headliner – that it quickly becomes clear that you are watching the concert of the year.’
‘No set piece is too elaborate, no framing device too ludicrous, for this show of wall-to-wall bangers that suggests Gaga isn’t ready to give up her pop crown just yet,’ he added.
Danni Scott of Metro wrote: ‘Thrilling, utterly artistic, and completely captivating — nobody in the music industry right now is doing it quite like the singer-turned-actor.
‘While I may have walked in thinking she was just a pop girl with edge, I’ve left firmly believing Lady Gaga is this generation’s Madonna.’
Neil McCormick, Chief Music Critic of The Telegraph wrote: ‘With her explosive popularity and increasing budget, she has been putting on showbusiness extravaganzas as spectacular as any ever staged for 15 years, and this might be her most coherent and accomplished.
‘At the heart of her show, it is Gaga herself who drives and animates it, a next level talent with the vocal and musical skills to make most her pop peers look like wannabes.’
She brought back the arthouse theatrics for the mammoth set, packing in a whopping 29 of her biggest hits to a sold-out crowd
Gaga pulled out all the stops for the first London date, with extravagant costumes, striking staging – and of course her powerhouse vocals
The show has received rave reviews from critics, with Metro ‘s Danni Scott even branding her ‘this generation’s Madonna’
The Telegraph ‘s Neil McCormick went as far to say Gaga’s expert showmanship makes her musical counterparts look like ‘wannabees
Gaga delighted fans as she brought out Wednesday actresses Emma Myers and Evie Templeton to perform The Dead Dance
Emily Bootle of The i Paper said: ‘In a two-and-a-half hour orgy of pop theatre at London’s O2 Arena on Monday night – the first of four dates at the venue, with two more to follow at Manchester’s Co-op Live – she proved herself to be the original and the best at this game of immersive, spellbinding live performances.
‘She closed out the night with a showstopping Bad Romance, flames erupting at the back of the stage: it’s impossible at moments like these to forget that Lady Gaga is one of the greats, a pop revolutionary. The Mayhem Ball is utterly magnificent.’
Will Hodgkinson, Chief Rock and Pop Critic of The Times said: ‘The opening night of Lady Gaga’s European leg of the Mayhem tour helped to explain why her place in the culture has been so defined.
‘Her combination of frenetic dance pop with camp theatricality has had a clear influence on a new generation of stars like Charli XCX and Chappell Roan, but nobody else goes this far.’
‘Lady Gaga gave pop opera at its finest, complete with a diva-like late arrival and high drama throughout,’ he added.
Kicking off the tour in July, Gaga’s show is split into four acts, beginning with Bloody Mary, surrounded by a gothic style set, before belting out popular tracks, Abracadabra, Judas and Scheiße.
And displaying her signature Avant-garde fashion, she donned a number of elaborate looks including creepily long finger prosthetics for Bad Romance.
Surrounded by a team of talented dancers, the Oscar winner also delivered eye-popping visuals and slick choreography as she sang fan-favourites like Poker Face, Applause, Summerboy, Million Reasons, Die With a Smile and Shallow.
Kicking off the tour in July, Gaga’s show is split into four acts, beginning with Bloody Mary, surrounded by a gothic style set
