Julianne Moore, 63, looked decades younger than her agw in a glamorous cover shoot for AnOther magazine’s Spring/Summer 2024 issue.
Just days after wowing at the red carpet premiere of Mary & George in London in a navy blue velvet Schiaparelli couture gown, the May December actress does it again in the new high-fashion spread.
She channeled different decades of Hollywood and fashion in the shoot, which was unveiled on Thursday.
In the first image, Julianne holds her head and stares seductively into the camera while wearing a leather Alaia dress.
In the second, she wears a feminine take on men’s suiting in a black and white striped top and pants with a black leather tie from Bottega Veneta, which she wears in several snaps.
Julianne Moore , 63, looked decades younger than her agw in a glamorous cover shoot for AnOther magazine’s Spring/Summer 2024 issue
Just days after wowing at the red carpet premiere of Mary & George in London in a navy blue velvet Schiaparelli couture gown, the May December actress does it again in the new high-fashion spread
In the next photo, the Still Alice star has her trademark red hair pinned with a series of bobby pins and still wears the Alaia leather dress.
In the fourth photo, she exudes 1940s glam and drama in an LBD from Courréges, tights from venerated brand Wolford and white satin Mary Janes from Manolo Blahnik.
The next photo has the Academy Award winner dressed in an oversized velvet blazer and pants with a cami under the jacket, all from Bottega Veneta.
Another pic shot by photographer Craig McDean and styled by Katie Shillingford shows Julianne sitting on a couch looking down dejectedly into her hand while wearing a velvet blazer with a large, pointed white collar and men’s tie as a belt by Maison Margiela.
In a photo of Julianne in a long red dress with a slit up one leg by Valentino Couture, she stands against a blood red background evoking images from the 1996 Stephen King horror film Carrie starring Sissy Spacek in the title role.
In a more whimsical photo, the star wears a blazer by Bottega Veneta and a large Schiaparelli ring with an eye on it, which she playfully positioned over her own eye.
In another photo Julianne wears a wool gabardine jacket and dress from Alaia that could have stepped right out of a detective agency in a film noir movie.
And finally, one photo is a near profile of the beauty with shadows falling across her face.
Her hair is done in a Veronica Lake style and as she glances over her shoulder and it isn’t clear whether she was the hunted or the hunter.
She channeled different decades of Hollywood and fashion in the shoot, which was unveiled on Thursday
In one photo, she exudes 1940s glam and drama in an LBD from Courréges, tights from venerated brand Wolford and white satin Mary Janes from Manolo Blahnik
Another photo has the Academy Award winner dressed in an oversized velvet blazer and pants with a cami under the jacket, all from Bottega Veneta
Another pic shot by photographer Craig McDean and styled by Katie Shillingford shows Julianne sitting on a couch looking down dejectedly into her hand while wearing a velvet blazer with a large, pointed white collar and men’s tie as a belt by Maison Margiela
In a photo of Julianne in a long red dress with a slit up one leg by Valentino Couture, she stands against a blood red background evoking images from the 1996 Stephen King horror film Carrie starring Sissy Spacek in the title role
In a more whimsical photo, the star wears a blazer by Bottega Veneta and a large Schiaparelli ring with an eye on it, which she playfully positioned over her own eye
In another photo Julianne wears a wool gabardine jacket and dress from Alaia that could have stepped right out of a detective agency in a film noir movie
And finally, one photo is a near profile of the beauty with shadows falling across her face. Her hair is done in a Veronica Lake style and as she glances over her shoulder and it isn’t clear whether she was the hunted or the hunter
Julianne poses in the jacket with the collar and belt from Maison Margiela
In another moody shoot, shadow lines fall across the actress’ face
In another image, the Big Lebowski star stares intently at a vintage lamp
She landed the cover of the magazine’s Spring/Summer 2024 issue
Julianne looks like she’s up to something in a Bottega Veneta top and pants
Moore’s new series Mary & George is inspired by the true story of Mary Villiers, who moulds her charismatic son, George, to seduce the King and achieve immense power.
From humble beginnings, the pair rise to achieve riches, titles and huge influence on the English court through scheming and dangerous gameplay.
The stakes are high, with England’s place on the world stage under threat from a Spanish invasion and rioters taking to the streets to denounce the new king.
Prepared to stop at nothing and armed with ruthless political steel, Mary marries her way up the ranks, bribed politicians, colludes with criminals and claws her way into the hearts of the establishment.
