Downton Abbey spoof Fackham Hall is like a flatulant family retriever in the drawing-room, says our film critic Brian Viner. Best to ignore it

Downton Abbey spoof Fackham Hall is like a flatulant family retriever in the drawing-room, says our film critic Brian Viner. Best to ignore it

Fackham Hall (15, 97 mins)

Verdict: Cack-handed spoof

Rating:

To the list of great cinematic spoofs such as Airplane! (1980) and This Spinal Tap (1984), we can comfortably NOT add Fackham Hall, which tries to lampoon Downton Abbey, just as those two classics did disaster movies and rock documentaries.

Goodness knows, Downton is ripe for a mickey-take. But alas, Jim O’Hanlon’s film, conceived and co-written by comedian Jimmy Carr, resounds with the dull thud-thud-thud of relentless visual gags and one-liners falling flat.

It’s a shame, because a decent cast includes Damian Lewis, Thomasin McKenzie, Sue Johnston and Anna Maxwell Martin. They all do their best, even with some scatological comedy that would embarrass most self-respecting eight-year-olds.

I don't like your manor: Downton Abbey was ripe for a send-up. But this is not it

I don’t like your manor: Downton Abbey was ripe for a send-up. But this is not it

Fackham Hall makes Ronnie Barker’s idiotic country-house parody Futtocks End (1970) look like a model of sophisticated restraint.

The stately pile of the title belongs to the aristocratic Davenport family (motto: ‘incestus ad infinitum’).

It’s 1931, and Lord and Lady Davenport (Lewis, and Katherine Waterston) have lost four sons to various tragedies, so must now rely on one of their two daughters marrying a cousin (Tom Felton), if they are to hold on to the ancestral home.

Aim, fire: A shooting party (and pretty much everything else) goes wrong in Fackham Hall

Aim, fire: A shooting party (and pretty much everything else) goes wrong in Fackham Hall

Upper class twits: A fine cast - including (l-r) Thomasin McKenzie, Katherine Waterston, Damian Lewis and Tom Felton - is wasted in Fackham Hall

Upper class twits: A fine cast – including (l-r) Thomasin McKenzie, Katherine Waterston, Damian Lewis and Tom Felton – is wasted in Fackham Hall

At first they pin their hopes on Poppy (Emma Laird), but then turn to Rose (McKenzie), whose mother considers her, at 23, to be a ‘dried up husk of a woman’.

The odd joke raises a smile, even a laugh, and I did like Tim McMullan’s po-faced butler, Cyril.

But on the whole Fackham Hall, like a flatulent family retriever in the drawing-room, is best ignored.

Fackham Hall is in cinemas now.

ALSO SHOWING…

Poster girl: Why is this woman standing on one leg? Ella McCay's puzzling publicity campaign has generated its own meme...and all the wrong kind of attention

Poster girl: Why is this woman standing on one leg? Ella McCay’s puzzling publicity campaign has generated its own meme…and all the wrong kind of attention

James L. Brooks co-created The Simpsons, as well as directing Oscar-winners like Terms Of Endearment (1984) and As Good As It Gets (1997). Sadly, the 85-year-old’s big screen comeback is more like as bad as it gets.

Strangely set in 2008, Ella McCay (12A, 115 mins, *) stars Emma Mackey as a truth-seeking politician struggling to be a force for good in a morally compromised world. The story-telling is an absolute dog’s breakfast, the poster (above) is so bizarre it’s sparked its own meme (#EllaMcCayChallenge, look it up) and even the sterling ensemble including Jamie Lee Curtis, Woody Harrelson, Jack Lowden, Rebecca Hall and Ayo Edebiri can’t turn these characters into believable humans. A turkey.

Silent Night, Deadly Night (18, 96 mins, **) is the seventh stab at the apparently evergreen scenario wherein a nice young serial killer (Rohan Campbell) dressed as Father Christmas, slashes his way through Santa’s ‘naughty list’ with the help of a very large axe.

Santa's got a surprise: Rohan Campbell works his way through the Naughty list, with an axe

Santa’s got a surprise: Rohan Campbell works his way through the Naughty list, with an axe

Filmmaker Mike P. Nelson injects some welcome twists, including a Hallmark style romance involving Ruby Modine (daughter of Matthew).

And if his holiday horror falls short as regards humour and scares, be assured it delivers sackloads of gore.

Treat of the week turns out to be Lurker (15, 101 mins, ****). Théodore Pellerin is magnetic as Matthew, the slippery ‘Stan’ (obsessive fan) who worms his way into the entourage of his British pop star idol Oliver (charismatic Saltburn star Archie Madekwe) — but at what cost can he maintain his hold there?

Your biggest fan:  Matthew (Theodore Pellerin, right) with his pop star idol Oliver (Saltburn's Archie Madekwe) in Lurker

Your biggest fan:  Matthew (Theodore Pellerin, right) with his pop star idol Oliver (Saltburn’s Archie Madekwe) in Lurker

Excruciatingly tense, this is a brilliantly assured directorial debut from Alex Russell, the writer-producer of TV’s The Bear.

A riveting Gen Z reimagining of Mr. Ripley, with a hip Kenny Beats score, it’s a seemingly familiar set-up. However, half an hour in I confidentially predicted the ending, only to have the rug whipped out from under me.

LARUSHKA IVAN-ZADEH

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