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    Entertainment House of the Dragon Jenna Coleman TV Shows

    BBC Responds to Complaints About Animal Abuse Scenes in The Jetty

    bintanoBy bintanoJuly 30, 2024No Comments9 Mins Read
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    The BBC has been forced to defend itself against a slew of complaints from viewers over a ‘disgusting’ and ‘unnecessary’ scene in its new crime drama The Jetty.

    The gritty series tells the story of Detective Ember Manning (Jenna Coleman) as she investigates a missing person’s case which threatens to unravel her own mysterious past, with House Of The Dragon’s Tom Glynn-Carney playing the show’s villain.

    While some fans love the series and have even compared it to Sally Wainwright’s award-winning Happy Valley, others think it missed the mark.

    One shocking scene in particular from the pilot episode has caused so much of a stir online that the Beeb released a statement explaining the choice.

    The plotline in question sees Amy take a new friend to her home and show her the family horse, Kingpin, who she admits they will soon have to shoot to claim the insurance money, as they are facing financial troubles.

    The BBC has been forced to defend itself against a slew of complaints from viewers regarding a scene in its new crime drama The Jetty

    The BBC has been forced to defend itself against a slew of complaints from viewers regarding a scene in its new crime drama The Jetty

    The gritty series tells the story of Detective Ember Manning (Jenna Coleman) as she investigates a missing person's case which threatens to unravel her own mysterious past

    The gritty series tells the story of Detective Ember Manning (Jenna Coleman) as she investigates a missing person’s case which threatens to unravel her own mysterious past

    A 'gross' and shocking scene implied that the character sexually abused the animal for a few seconds, before leaving the barn

    A ‘gross’ and shocking scene implied that the character sexually abused the animal for a few seconds, before leaving the barn

    A further ‘gross’ and shocking scene implied that the character sexually abused the animal for a few seconds, before leaving the barn.

    When the episode aired earlier in July, viewers were left horrified and quickly took to social media to express their concern – with some even claiming it caused them to switch off from the programme:

    ‘That scene with the horse was just gross #TheJetty.’

    ‘#TheJetty bl***dy hell. Was there any need for that horse scene. Turned my stomach. I’m ready for turning off. No likeable characters.’

    ‘I was disgusted too. Just hate that kind of animal exploitation fiction or not.’ 

    ‘Turned off too!’

    ‘Yep. Turned over. That was unnecessarily vile.’

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    When the episode aired earlier in July, viewers were left horrified and quickly took to social media to express their concern - with some even claiming it caused them to switch off from the programme

    When the episode aired earlier in July, viewers were left horrified and quickly took to social media to express their concern – with some even claiming it caused them to switch off from the programme

    The gritty series, which saw Jenna Coleman (pictured) make her debut as a detective, also suffered dozens of complaints from fans over audio issues

    The gritty series, which saw Jenna Coleman (pictured) make her debut as a detective, also suffered dozens of complaints from fans over audio issues

    ‘Totally agree. Could not see the need for that at all.’ 

    ‘That scene was disgusting and totally unnecessary.’ 

    ‘I found this scene completely offensive and upsetting. Switched off and complained to the BBC.’ 

    ‘#thejetty What’s with the horse abuse. So wrong on every level.’

    ‘#TheJetty that horse scene was pretty pointless and just for shock rather than plot development.’

    Now the BBC has responded to the backlash with a statement that explained the scene was ‘intended to be shocking’.

    It read: ‘The Jetty is a post-watershed, detective thriller which also explores power imbalances and troubling behaviour in sexual relationships. 

    ‘Amy is a complex character who experiences abusive behaviour but also behaves in an abusive way herself. 

    One shocking scene in particular from the pilot episode has caused so much of a stir online that the Beeb has released a statement explaining the choice

    One shocking scene in particular from the pilot episode has caused so much of a stir online that the Beeb has released a statement explaining the choice

    Just minutes into the opening episode, the BBC suffered dozens of complaints from fans over audio issues

    Just minutes into the opening episode, the BBC suffered dozens of complaints from fans over audio issues

    ‘The scene is intended to be shocking and establishes how distorted Amy’s own sexual boundaries have become and how transgressive her behaviour is. The act is implied, and not shown on screen.

    ‘We always aim to make sure that any such scenes are never gratuitous and are filmed and edited in such a way as not to exceed viewer expectations. Information is provided to viewers to make them aware of such content where appropriate.’

    But it’s not just the ‘disturbing’ animal abuse storyline that left viewers unhappy – they were also displeased with the sound quality.

    Just minutes into the opening episode, the BBC suffered dozens of complaints from fans over audio issues. 

    Viewers flooded social media with comments to see if fellow watchers were suffering, with some penning: ‘The lighting, the sound, the dialogue and the acting. All terrible. #TheJetty’.

    ‘Am I the only one finding #TheJetty hard to pick up ? Is it the sound ? The accents ? Are they mumbling ? #BBCOne’,

    ‘#thejetty is potentially an engaging drama although understanding was marred by the rapid mumbling speaking style. What happened to clear enunciation?’

    ‘Tried to watch #TheJetty on @BBC – gave up after 25 minutes, can’t make out a word. Mumble, mumble, mumble .. anyone agree, perhaps my hearing’.

    Meanwhile, other viewers had nothing but praise for the new series and commented: 'just watched BBC's the jetty 10/10 incredible. new instant favourite'

    Meanwhile, other viewers had nothing but praise for the new series and commented: ‘just watched BBC’s the jetty 10/10 incredible. new instant favourite’

    Jenna plays a tough cop and 'human lie detector' Detective Ember Manning

    Jenna plays a tough cop and ‘human lie detector’ Detective Ember Manning

    Meanwhile, other viewers had nothing but praise for the new series and commented: ‘just watched BBC’s the jetty 10/10 incredible. new instant favourite’,

    ‘Just binge watched The Jetty, I thought it was very good, no problems at all understanding the dialogue. Would very much recommend it’.

    Jenna plays a tough cop and ‘human lie detector’ Detective Ember Manning in The Jetty.

    As much a coming-of-age story as a detective thriller, The Jetty asks big questions about sexual morality, identity and memory, in the places that Me Too has left behind.

    The offical synopsis reads: ‘When a fire tears through a property in a scenic Lancashire lake town, Detective Ember Manning must work out how it connects to a podcast journalist investigating a missing persons cold case and an illicit relationship between a man in his twenties and two underage girls’.

    ‘But as Ember gets close to the truth, it threatens to destroy her life – forcing her to re-evaluate everything she thought she knew about her past, present and the town she’s always called home’.

    ‘As much a coming-of-age story as a detective thriller, The Jetty asks big questions about sexual morality, identity and memory, in the places that Me Too has left behind’.

    The series, written and created by Cat Jones, also stars Happy Valley’s Amelia Bullmore, The Terror’s Matthew McNulty and The Witch star Ralph Ineson.

    Jenna previously told the BBC of the project: ‘Working with BBC and Firebird Pictures on bringing the complex and enigmatic character of Ember Manning to life has been an incredible experience. 

    ‘I can’t wait for everyone to meet this new heroine and to find out what’s lurking beneath the surface of The Jetty.’ 

    The Jetty: What the critics think

    THE GUARDIAN

    Rating:

    The Guardian’s Lucy Mangan suggested the opening of the first episode of the thriller left a lot to be desired, labelling it ‘deeply uninspired’.

    It involves a podcaster explaining the premise in a voiceover and detective constable Ember Manning being woken up in the night by an ‘intruder’ who turns out to be her daughter Hannah having a sneaky cigarette outside.

    However, after the beginning, the critic insisted the drama is well worth a watch as it explores ‘what it means to move as a woman through a world that is suffused with male violence in all its myriad forms’.

    ‘The Jetty becomes a study in power relations, exploitation, innocence, ignorance and the impossibility of ever breaking out of a social structure that has never been designed with your wellbeing in mind,’ said Lucy.

    The critic concluded: ‘The Jetty isn’t Happy Valley, but it is much, much closer to it than you might have expected.’ 

    THE TELEGRAPH

    Rating:

    ‘You can tell The Jetty is bad by the fact that the BBC is shoving it out on a Monday in July, but episode one provides confirmation,’ claimed The Telegraph’s Anita Singh.

    The Arts and Entertainment Editor labelled Jenna’s latest offering with the BBC ‘clichéd and confusing’, adding that the ‘crime drama is a soggy summer washout’.

    She said the story about ‘grooming, blurred lines and the vulnerability of girls’ is lost in an unorganised plot, ‘badly lit’ scenes and ‘dialogue that is sometimes hard to decipher’.

    The critic even admitted: ‘The plot in the opening hour is such a mish-mash that I twice checked to see if I had started watching a later episode by mistake.’

    THE TIMES

    Rating:

    Ben Dowell told The Times: ‘Cat Jones, the writer of The Jetty, has ladled many traditional ingredients into what on the face of it is yet another drama about a missing teenage girl. 

    ‘But her brew is pleasingly laced with something more socially urgent: the slippery problem of consent and the sexualisation of teenage girls.’

    He suggested the ‘clever twist’ at the end of episode one also makes the drama standout from the crowd.

    The critic added: ‘Too many dramas seem to voyeuristically revel in the terrifying threats that women and girls face. This shows what can be done about it.’

    THE INDEPENDENT

    Rating:

    Writing for the Independent, Nick Hilton said the BBC’s latest thriller is ‘clichéd but compelling’.

    He noted that The Jetty ‘doesn’t reinvent the crime drama… in fact, it borrows widely from the BBC’s vast back catalogue,’ – however, for this critic, Jenna’s likeable main character saves the drama from its clunky dialogue and clichés.

    But Nick did warn of how the thriller’s balance between the feminist ‘message and the method is fraught with complications’.

    He pointed to Ember being ‘on a crusade to unveil the systemic misogyny of the community’, yet ‘the flashbacks depict these teenage girls in an overtly sexualised way’.

    THE IRISH TIMES

    Writing for the Irish Times, Ed Power insisted: ‘There’s a decent thriller somewhere at the end of The Jetty, but I’m not sure if getting there is worth the slog.’

    The critic explained how the drama explores ‘difficult and important topics’, such as the ‘grooming of young women and power imbalances in relationships’.

    However, the programme ‘loses its footing in an illogical and confusing plot that will have viewers shrugging in bewilderment rather than engaging with the script’s deeper points,’ according to Ed.

    He also suggested that despite Jenna’s good performance, the slow plot and bad dialogue mean the show misses it mark. 

    THE I

    Rating:

    The I’s TV Editor Emily Baker admitted that whilst the first episode is filled with clichés, the four-part drama apparently eventually picks up and leads to a ‘grim picture of misogyny, sexual exploitation and murder’.

    For Emily, ‘the ever-reliable Jenna Coleman is the glue that holds the series together’ as well as the ‘flashes into the past where the drama really comes to life’.

    Emily said: ‘TV has been crying out for a series like The Jetty – one the entire nation can really get stuck into and chat about at work the next day. 

    ‘I can’t remember the last time a BBC crime series gripped me this much,’ concluded the reviewer.

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