Fortnight (feat. Post Malone)
Taylor appears to reference the end of her relationship with Joe Alwyn and her subsequent fling with Matty Healy in the first track on her album.
In the first verse, Taylor alludes to being in an emotionally fragile place as she sings: I was supposed to be sent away but they forgot to come and get me. Taylor then wishes an ex well who betrayed her: All of this to say, I hope you’re okay, but you’re the reason / No one here’s to blame but what about your quiet treason.
In the second verse, Taylor appears to sing about a short-lived romance that failed to help her “move on”: All my mornings are Mondays stuck in an endless Februrary / I took the miracle move on drug and the effects were temporary / And I love you, it’s ruining my life / I touched you for only a fortnight.
A tuneful duet with Post Malone and a song seemingly about a two-week fling. The slow, electronic rhythms set the early tone.
The Tortured Poets Department
Another shimmering melody, and lyrics which suggest that Taylor, modestly, doesn’t see herself at the top table of tortured poets: ‘You’re not Dylan Thomas, and I’m not Patti Smith.’
My Boy Only Breaks His Favorite Toys
Written solely by Swift, this song’s dense electronic hum adds forceful notes. ‘Once I fix me, he’s gonna miss me,’ she vows.
Down Bad
‘Everything comes out teenage petulance,’ sings Taylor as she bitterly surveys the fallout from an old relationship.
So Long, London
The first track to be written with The National’s Aaron Dessner brings a change of pace, with a lovely, choral intro. ‘So long, London, you’ll find someone,’ sings Taylor.
This is her first new album since the end of her six-year relationship with British actor Joe Alwyn and, while she doesn’t mention Alwyn by name, speculation will be rife that tracks such as So Long, London are about him. Pictured together in 2019
But Daddy I Love Him
‘I know he’s crazy, but he’s the one I want,’ sings Swift, showing wry humour as she admits to falling for the bad boys. Produced, with real brightness, by Dessner.
Fresh Out The Slammer
Finger-picked acoustic guitar adds folky notes reminiscent of lockdown albums Folklore and Evermore.
Florida!!! (feat. Florence + The Machine)
An album highlight, this theatrical duet with London singer Florence Welch is an uplifting song of escape – from small-town life and a bad romance.
Guilty As Sin?
A tale of unrequited love, and a superb slice of 1980s-style soft rock. It even mentions The Downtown Lights, a 1989 single by Scottish band The Blue Nile.
Who’s Afraid Of Little Old Me?
Big drums, a dramatic arrangement, and more dry humour in another song penned solely by Swift. ‘You wouldn’t last an hour in the asylum where they raised me,’ she snarls.
I Can Fix Him (No Really I Can)
A moody, stripped-down number worthy of Lana Del Rey, who has also worked extensively with the song’s producer, Jack Antonoff.
The Alchemy: Sporting metaphors aplenty suggest a track inspired by the singer’s current boyfriend, American football star Travis Kelce. Pictured at Coachella this week
loml
‘You said I’m the love of your life,’ sings Taylor on this warm, resonant piano ballad. In a smart twist, the ‘loml’ ultimately becomes ‘the loss of my life’.
I Can Do It With A Broken Heart
More 1980s influences on an electronic pop track that sees Taylor vowing to remain a trouper, despite any romantic strife.
The Smallest Man Who Ever Lived
‘You didn’t measure up in any measure of a man,’ sings a disdainful Swift on a melodramatic ballad.
The Alchemy
Sporting metaphors aplenty suggest a track inspired by the singer’s current boyfriend, American football star Travis Kelce. ‘When I touch down, call the amateurs and cut them from the team,’ she sings.
Clara Bow
It’s tempting to think Taylor sees something of herself in a closing track inspired by an American actress of the 1920s who lived her life in the Hollywood goldfish bowl.
The Black Dog
Taylor refers to a bar in Vauxhall, London, The Black Dog that she notices her ex going to one night after he forgot to stop sharing his location.
She suggests her ex is going there to meet a new woman and sings: ‘I move through the world with a heart broken. My longings stay unspoken, and I may never open up the way I did for you.’
Imgonnagetyouback
Taylor is torn between calling things off for good or rekindling with an ex in imgonnagetyouback.
Emotions are clearly running high as she sings: ‘Whether Im gonna be your wife / Or smash up your bike / I haven’t decided yet’.
The Albatross
Taylor is taking no prisoners in this track, referring to herself as one of the largest seabirds on Earth – famed for their giant wingspan and ability to glide seamlessly.
She sings about taking revenge with the lyrics: ‘She is here to destroy you/ Devils that you know / Raise worse hell than a stranger’.
Chloe or Sam or Sophia or Marcus
Taylor makes references to a partner abusing drugs.
She sings ‘You said some things that I can’t unabsorb / You turned me into an idea of sorts / And I couldn’t watch it happen’.
How Did It End?
Taylor appears to reference the speculation over her relationship with Joe Alwyn as she details in the chorus:
‘Come one come all It’s happ’nin’ again / The empathetic hunger descends We’ll tell no-one / ‘Cept all of our friends / We must know How did it end?’
