Sydney Sweeney put on a leggy display on Tuesday night as she braved the downpour to grab dinner in New York City.
The Euphoria star, 26 — who will be hosting Saturday Night Live this week — met up with the SNL team at the Italian restaurant Lattanzi.
She was greeted by fans when she arrived in a chauffeured black SUV with her security team.
One security guard carried Sydney’s umbrella for her so that her hair, makeup and outfit wouldn’t get messed up by the rain.
The actress looked incredible wearing semi-sheer tights with tiny black leather shorts and matching knee-high boots.
Sydney Sweeney put on a leggy display on Tuesday night as she braved the downpour to grab dinner in New York City
The Euphoria star, 26, met up with the SNL team at the Italian restaurant Lattanzi
She will be hosting Saturday Night Live this week
She had on a cream-toned cowl neck sweater with dramatic faux fur cuffs.
To complete the fashion-forward outfit, the Madame Web star threw on some D&G sunglasses and a classic leather handbag.
She kept her blonde hair styled in a bun and she rocked a glossy red lip.
It was revealed last week that Sydney would be hosting Saturday Night Live on March 2 with Kacey Musgraves as musical guest.
It will be the star’s first time hosting the sketch show but it is Kacey’s third appearance as musical guest.
Sydney’s outing comes after her new superhero movie Madame Web starring Dakota Johnson flopped at the box office with an opening weekend take of just $15.1 million.
The film has taken in just $25.7 million from foreign markets, for a worldwide tally of $51.5 million for its opening weekend, after star Johnson admitted she hasn’t seen it yet.
With the film budgeted at $80 million, it could have a very tough time turning a profit, barring some sort of box office miracle.
The actress looked incredible wearing semi-sheer tights with tiny black leather shorts and matching knee-high boots
She had on a cream-toned cowl neck sweater with dramatic faux fur cuffs
To complete the fashion-forward outfit, the Madame Web star threw on some D&G sunglasses and a classic leather handbag
She arrived in a chauffeured black SUV with her security team
One security guard carried Sydney ‘s umbrella for her so that her hair, makeup and outfit wouldn’t get messed up by the rain
The film is based on the obscure Marvel character Cassandra Webb, created by writer Denny O’Neil and artist John Romita Jr., debuting in The Amazing Spider-Man #210 (November 1980).
The film follows Johnson’s character Cassandra, a New York City paramedic who uses her newfound clairvoyant powers to keep three young women (Sydney Sweeney, Isabela Merced, Celeste O’Connor) safe from a deadly adversary.
In contrast, Sydney’s film Anyone But You with co-star Glen Powell has made $200million at the worldwide box office since it was released in December.
This makes it it the highest performing romantic comedy in half a decade to break through the $200 million threshold, since 2018’s Crazy Rich Asians.
Powell recently told Variety that he and Sydney are on the hunt for a new project to work on together.
She was greeted by fans
She kept her blonde hair styled in a bun and she rocked a glossy red lip
It was revealed last week that Sydney would be hosting Saturday Night Live on March 2 with Kacey Musgraves as musical guest
It will be the star’s first time hosting the sketch show but it is Kacey’s third appearance as musical guest
Sydney’s outing comes after her new superhero movie Madame Web starring Dakota Johnson flopped at the box office
The film took in just $15.1 million at the box office on opening weekend
‘When you find somebody that you really jive with, Sydney is so easy to work with and so fun. We’re definitely trying to find the next thing,’ he explained.
‘Please send us all the scripts you got. You know we’re here for it. It’s been really wonderful to read a lot. Sydney reads everything, by the way, and in record time. She’s the fastest reader I think I’ve ever met,’ he gushed.
‘It takes me a little longer, but we’re reading everything and just trying to see what makes sense, what we can turn into something that audiences are going to respond to.’