Zara Larsson flaunted her jaw-dropping figure as she took to the stage for The Hundred Final at Lord’s Cricket Ground in London on Sunday.
The Swedish singer, 26, slipped into a very skimpy sequinned co-ord for the perfomance that showcased her toned abs and incredible legs.
Zara teamed the revealing crop top and mini skirt with knee-high snakeskin boots while being joined on stage by a group of equally stunning dancers.
She oozed confidence as she entertained the sold out crowd with a string of her most famous hits including Lush Life and Can’t Tame Her.
The show took place to celebrate London Spirit claiming victory over Welsh Fire in the women’s Final ahead the Oval Invincibles took on Southern Brave in the men’s Final.
Zara Larsson, 26, flaunted her jaw-dropping figure as she took to the stage for The Hundred Final at Lord’s Cricket Ground in London on Sunday
The Swedish singer slipped into a very skimpy sequinned co-ord for the perfomance that showcased her toned abs and incredible legs
Earlier this year the bond beauty once again showcased her incredible figure as she stripped off and posed naked for her latest album cover, Venus.
Zara looked sensational as she protected her modesty by covering her chest with her long tresses and holding a silver metallic shell in front of her waist.
Taking to Instagram, the Lush Life hitmaker shared the album cover as she revealed she has added an extra date to her European tour due to ‘massive demand’.
The pop star displayed a ‘H’ tattoo on her rib cage and wore dramatic long nails as she posed up a storm for the photo.
It came after Zara joined Ranvir Singh on ITV’s Lorraine ahead of kick starting her tour in Manchester on Friday night.
She gushed that she is ‘living her dream’ and revealed she has dedicated one of her new songs to her sister, who is also a singer.
The singer said: ‘My sister is one of the strongest loves in my life I’m so thankful that we have such a strong bond and I’m so grateful that she is my sister.
‘I don’t think she will want to collaborate with me, I’m not cool enough for her.
Zara teamed the revealing crop top and mini skirt with knee-high snakeskin boots as she was joined on stage by a group of equally stunning dancers
She oozed confidence as she entertained the sold out crowd with a string of her most famous hits including Lush Life and Can’t Tame Her
Zara made a very unique arrival as she was driven to the stage on the back of a gold cart
The show took place to celebrate London Spirit claiming victory over Welsh Fire in the women’s Final ahead the Oval Invincibles took on Southern Brave in the men’s Final
‘My mum is a nurse and my dad’s in the military so they are from very non creative backgrounds. I don’t know how it happened really but I feel like I was just born to do this. I’m living the dream.’
Zara found fame at 10-years-old on the Swedish version of Got Talent and admitted she now ‘feels like a different person’.
She added: ‘Now when I look at it because it was so long ago, it feels like a different person’.
Last July, Zara revealed music industry bosses ‘touched her funny’ and ‘abused their power’ over her when she made her bid for stardom at a young age.
The Swedish singer says that the behaviour made her decide to never work in a room with just men again.
In an admission that will put more pressure on the industry following a number of #MeToo complaints in recent years, Zara said: ‘At the beginning, sometimes it would just feel really uncomfortable.
‘Being very young I think people abused their power a lot, made really inappropriate suggestions or they touch you funny, or they say stuff where you’re like, “Why did you say that?”
Earlier this year the bond beauty once again showcased her incredible figure as she stripped off and posed naked for her latest album cover, Venus
The Never Forget You songstress made her confession in an interview with comedian Leigh Francis, Shopping With Keith Lemon.
Asked if it was ever difficult being a young lady in the music industry, she replied: ‘Yes, it definitely can be. There have, for sure, been some moments where I’m like, “What’s going on?”
‘Nowadays, I don’t want to work with just guys in the room. At the beginning I was just going along with it.
‘Nowadays, I’m just like, at least have one other girl in the room. I would love to make an album with just girls.’
