There’s no shortage of chemistry between Dakota Johnson and her new onscreen leading men.
The actress, 34, shared a kiss with Materialists co-star Pedro Pascal on Wednesday as they filmed a scene for the romantic comedy on a sidewalk in New York City.
She and the Last of Us star, 49, filmed outside of a town car before he held the door open for her.
Johnson wore a black leather duster in the scene, layered over a white tank top, which was tucked into faded high-waisted jeans.
The look was finished with a pair of black leather loafers featuring gold details and a silver choker necklace.
Dakota Johnson shared a kiss with Materialists co-star Pedro Pascal on Wednesday as they filmed a scene for the romantic comedy on a sidewalk in New York City
She and the Last of Us star, 49, exchanged lines outside of a town car before he held the door open for her
Written and directed by Celine Song (Past Lives), Materialists follows a NYC matchmaker as she gets caught up in a love triangle with a wealthy man she just met and her former lover
Pascal looked sharp in a tan blazer with a rust dress shirt tucked into dark denim jeans, finished with a black braided leather belt and black leather dress shoes.
Written and directed by Celine Song (Past Lives), Materialists follows a NYC matchmaker as she gets caught up in a love triangle with a wealthy man she just met and her former lover.
Johnson was previously photographed locking lips with co-star Chris Evans as they filmed more scenes last week.
In another scene filmed on Wednesday, Johnson was spotted stepping out of a yellow taxi cab and pulling some luggage out of the trunk.
The nepo baby served a chic look in a white button-down dress shirt tucked into a pair of high-waisted jeans.
Her look was finished with a pair of navy blue sneakers and she carried a black leather tote over her shoulder.
Johnson’s return to the rom-com genre comes after How to Be Single (2016) and 2022’s Cha Cha Real Smooth.
Meanwhile, her own life is full of romance as she reportedly got engaged to Chris Martin ‘a while ago’ after six years of dating.
The actress most recently incurred the wrath of Sony execs after ‘dragging’ her latest movie Madame Web and failing to ‘take any responsibility’ for the movie’s poor box office performance.
Johnson wore a black leather duster in the scene, layered over a white top, which was tucked into faded high-waisted jeans
The look was finished with a pair of black leather loafers featuring gold details and a silver choker necklace. Pascal looked sharp in a tan blazer with a rust dress shirt tucked into dark denim jeans, finished with a black braided leather belt and black leather dress shoes
Johnson and Pascal shed their jackets as they spoke to a crew member between takes
Pascal untucked his shirt, and Johnson threw on some thin silver-framed shades after they finished the scene
There was no shortage of chemistry between the pair as they filmed in the Tribeca neighborhood. The actors were all smiles as they shared a hug in the PDA-filled scene
Johnson was previously photographed locking lips with co-star Chris Evans as they filmed more scenes last week
In another scene filmed on Wednesday, Johnson was spotted stepping out of a yellow taxi cab and pulling some luggage out of the trunk
The nepo baby served a chic look in a white button-down dress shirt tucked into a pair of high-waisted jeans. Her look was finished with a pair of navy blue sneakers and she carried a black leather tote over her shoulder
Johnson’s return to the rom-com genre comes after How to Be Single (2016) and 2022’s Cha Cha Real Smooth
A source told DailyMail.com that Sony execs ‘aren’t laughing over Dakota’s continued dragging of how she sees the fallout of Madame Web and how she isn’t taking any responsibility for its lackluster results.’
The insider added, ‘Not every movie is going to work, but a lot of hard work is put towards even bad movies and for your star to s**t on it is a bad look.’
After admitting she hadn’t even seen the movie yet, Johnson said she ‘probably will never do anything like it again.’
‘My feeling has been for a long time that audiences are extremely smart, and executives have started to believe that they’re not,’ she explained.
‘Audiences will always be able to sniff out bulls**t,’ added Johnson. ‘Even if films start to be made with AI, humans aren’t going to f***ing want to see those.’